Eminem and Lil Wayne sent “Saturday Night Live” viewers into the holiday season with a double dose of hip-hop over the weekend.

The rap luminaries first rocked Em’s steely Haddaway-sampling joint “No Love,” backed by a live band on a set decked out with festive holiday decorations. Both MCs kept their style casually cool: Wayne rocked a white T-shirt and black plants while Em sported a brown jacket and gray beanie. Weezy spit the first verse with his signature unhinged energy, asserting his return to the live-television circuit. Em helmed the rest of the song, nimbly dropping his lyrics with abandon.

The MCs split up for the final performance, with Eminem kicking things off with the Pink-assisted cut “Won’t Back Down.” Outfitted in a black jacket and cap, Em rocked the joint with the help of a hype man, spitting bars like, “How you douche bags feel?/ Knowing you’re disposable, Summer’s Eve, Massengill.” When Em wrapped up, the Detroit MC ceded the mic to Weezy, who hopped up onstage solo for the recently released “6’7″.” The live electric guitar-laced version was a super-charged departure from the Bangladesh-crafted banger, with Wayne knocking out the lyrics with his high-powered flow and vibing with a slew of similarly amped musicians.

The “SNL” appearance is the latest team-up in a long list collaborations between the Shady boss and the Young Money captain. Em guested on Weezy’s “Drop the World” from the New Orleans vet’s rock-centric album “Rebirth.” Wayne returned the favor for Em’s Recovery cut “No Love.”

Other hitmakers also popped up on Saturday night’s broadcast, which was hosted by “Tron Legacy” star Jeff Bridges. Akon helped Lonely Planet bust out an ode to gettin’ it on, belting “I just had sex!” Blake Lively and Jessica Alba made cameos as comely conquests as the crew gamely sang, “I’ll never go back to the not-having-sex ways of the past.”

On “The Miley Cyrus Show” skit, featured player Vanessa Bayer played a giggly, hyper version of the teen starlet, and poked fun at the “Can’t Be Tamed” singer’s much-publicized salvia bong hit. Bayer’s Cyrus explained her “five-minute drug problem,” saying, “so, what happened was, I got really high — like really high.”

Veteran actor Bridges also showed off his acting chops in several skits, playing an effeminate cowboy who doles out gussied-up Christmas presents, and starring in his own prank show “Jeff’d,” in which he messes with celebrity pals like Billy Bob Thornton and Maggie Gyllenhaal.

Wayne associate DJ Scoob Doo described the vibe of the night MTV News.

“The energy in the building is historical and it’s extra special to see everybody fight for position backstage to see Lil Wayne take over SNL,” he said.

Check out the video below:

 

Eminem isn’t exactly what you’d call a “ladies’ man.” The rapper, notorious for his misogynistic lyrics and explosive tabloid relationship with ex-wife Kim, doesn’t get the best rep as a soft-hearted singer. But it looks like the Detroit MC is doing a lot more introspective thinking these days, especially when it comes to love.

“I have trust issues – with women, friends, whatever,” he tells Rolling Stone in his November cover story. “I’ve got a small circle of friends, and it’s a lot of the same friends I’ve known forever. Right now, that works for me.”

The rapper, who dropped his latest album “Recovery” earlier this year, opens up about finding his path to, well, recovery, and the need to know himself first before letting others in.

“I came out of some difficult things these past couple of years,” Slim Shady, 38, said in reference to his dual addiction to prescription pills and alcohol. “I kind of feel like I’m just now finding my footing, so I want to make sure that’s secure before I go out and do anything else.”

“I need to keep working on myself for a while.”

Eminem (real name: Marshall Mathers) has also recently spoken out about being bullied as a child, often so badly that his mother sued the Detroit school system for failing to protect him. The rapper outed DeAngelo Bailey, the bully in question, in a 1999 song called “Brain Damage.”

In the interview, Eminem also comes clean about how he dealt with the pain of his father’s absence growing up. Sounds like plenty of tough-guy emotional outpour going on.

But though he’s busy battling some serious inner demons, there’s still that one that Eminem is hesitant to tackle. About dating in the future, the tough-guy rapper is skeptical.

“As far as going out, like dinner and a movie – I just can’t,” he told the mag. “Going out in public is just too crazy. I mean, I’d like to be in a relationship again someday. Who doesn’t? It’s just hard to meet people, in my position.”

 

Midway through his portion of his heavyweight twin billing with Jay-Z at Yankee Stadium, Eminem took a moment to reflect the gravity of performing a concert on a hallowed ground.

But he wasn’t talking about the house that Jeter built: Instead, the Detroit rapper acknowledged the borough where they were performing – the Bronx, the origin of hip-hop.

“Do not think that I don’t know where I’m at right now,” the Detroit rapper told the audience at the sold-out stadium on Monday. “I’m also honored to be on this (expletive) stage in the Bronx, the (expletive) birthplace of hip-hop.”

His concert with Jay-Z was yet another example of just how far the genre has come in its 30-plus-year history. The genre christened the newly constructed Yankee Stadium: The joint billing by two rap icons was the first musical concert at Yankee Stadium, which made its debut last year.

“I gotta tell y’all it’s one of the most wonderful things being here tonight, being from New York City and being in Yankee Stadium,” Jay-Z told the roaring crowd.

Both Eminem and Jay-Z, who performed two concerts at Detroit’s Comerica Park earlier this month, brought out an all-star cast of friends to mark the occasion. During Eminem’s performance, which came first, his guests included his posse D-12, protege 50 Cent, mentor Dr. Dre and new hitmaker B.o.B.

Hometown hero Jay-Z would not be outdone, calling on Kanye West, Coldplay’s Chris Martin, sensations Drake and Nicki Minaj, and wife Beyonce to support his set.

Eminem and Jay-Z also performed together during Jay-Z’s concert for their joint song “Renegade.”

While both sets had star power, the vibe of each performance couldn’t have been more different. Eminem’s performance was about a triumphant comeback, whereas Jay-Z’s was more like another coronation.

Eminem – one of the best-selling rappers of all time – owns the year’s top-selling album with “Recovery.” The album marks his critical comeback after battling a serious addiction to drugs. His concert began by recounting his struggles via a written montage on screen, and later, Eminem spoke of his gratitude for another chance.

“I missed you (expletives), did you miss me?” he said to the screams of the crowd. “It feels so good to be back.”

And he demonstrated it with an impassioned if imperfect show that included new hits like “Love the Way You Lie” and the inspirational “Not Afraid” to now-classics like “Without Me” And “Lose Yourself.” Though at times it was hard to hear his live rapping over his voice track, he performed with the ferocity of a boxer trying to regain his championship status, even though Eminem already has achieved it.

For Jay-Z, who has been hip-hop’s reigning king for some time now, mingling with rock stars, presidents and baseball champions with ease, Monday’s performance only seemed to confirm why he’s still one of rap and pop’s most engaging figures some 15 years after his debut.

He delivered hits like “99 Problems,” “On to the Next One” and “Hard Knock Life” with precision, backed by glitzy graphics. He gave West a moment to shine as West rapped his hits “Power” and “Good Life,” and the two brought out Minaj for their buzzed-about new song “Monster.” He even showed he was more than rap when he brought out Martin, who sang the chorus for Jay-Z’s “Heart of the City (Ain’t No Love),” then performed the Coldplay hit “Clocks.”

The concert lasted well past midnight, and a few thousand in the crowd started to make their way to the exits while Jay-Z was still rapping to beat the after-concert rush. But most stayed behind, sensing what Jay-Z told them. “This is historic: They ain’t never gonna be another night like tonight.”

Well, maybe one more night – the pair has another show at Yankee Stadium on Tuesday.

 

MTV general manager Stephen Friedman said Wednesday that the rapper, who’s nominated for eight trophies and continues to sit atop sales charts with “Recovery,” will open Sunday’s ceremony at the Nokia Theatre, which has been transformed with a sprawling white set reminiscent of the out-of-this-world Theme Building at the Los Angeles International Airport.

“We thought that there’s no better way to kick off the show than a performance from Eminem,” said Friedman.

The enveloping stage design includes a giant rotating billboard, curvy catwalk, circular performance space and two massive video screens that will serve as curtains. VMA executive producer Jesse Ignjatovic said the undulating space, created by German designer Florian Wieder, required about 2,000 orchestra seats to be removed from the Nokia Theatre.

“Every year, we try to have a theme and purpose beyond just giving awards away,” said Ignjatovic. “This year, being back in Los Angeles, we really gravitated toward mid-century modern architecture and the pop culture of the ’50s, like the youth-oriented rebellion films ‘Rebel Without a Cause’ and ‘Wild Ones.’ It’s a very L.A. kind of a set.”

 

A federal appeals court has found Eminem’s former production company is entitled to more money from downloads of the rapper’s songs and ringtones.

A federal jury last year had ruled against F.B.T. Productions LLC in its lawsuit against Universal Music Group seeking a greater share of revenue from downloads made between 2003 and 2008.

But the U.S. 9th Circuit Court of Appeals found Friday that F.B.T.’s contract entitled Eminem and his producers to a 50-50 split with Universal for recordings licensed to digital distributors such as Apple Inc.’s iTunes.

The record label had paid F.B.T. and Eminem 12 percent of sales, the agreed-upon rate for physical albums.

F.B.T. discovered Eminem in 1995 before he signed in 1998 with Dr. Dre’s Aftermath Records. Universal’s Interscope Records distributes Aftermath recordings.

 




 

Eminem was well prepared for his heartfelt speech to Dr. Dre at the ASCAP awards the other night at the Beverly Hilton.

Eminem, a surprise presenter, was spotted rehearsing his speech at the bar of Trader Vic’s over sugar-free Red Bulls and Diet Cokes.

Dre fought back tears during his acceptance speech, thanking his mother, who gave birth to him at age 15, his wife, and Jimmy Iovine, chairman of Interscope/Geffen/A&M Records.

 

The ‘We Made You’ hitmaker is set to team up with the ’99 Problems’ rapper for a show at Detroit’s Comerica Park and one at New York’s Yankee stadium – the two artists’ hometowns – in September.

Eminem said: “This is a once-in-a-lifetime set of shows, and I know we’re both really going to bring it to our hometowns.

“The fans are going to love this and so am I. It’s going to be historic.”

Eminem will headline the Detroit concert on March 2, with Jay-Z – real name Shawn Carter – topping the bill weeks later at the New York concert on September 13.

The rappers – who most recently worked together on the ‘DJ Hero’ game which was released earlier this year – made the announcement ahead of a second New York Yankees and Detroit Tigers baseball game at Comerica Park, wearing the jerseys of their respective teams.

Eminem – real name Marshall Mathers – said: “We had talked about doing something together again soon anyway. We just tried to come up with the best way and biggest way to do it.

“We’ve done things together – smaller shows and whatnot. But I’m not sure we’ve ever done anything this big.”

Jay-Z added: “I look for opportunities to work with Em’, any time we get a chance to collaborate on things.”

Ticket information for the shows – which sees Eminem returning to perform in Detroit for the first time in five years – has not yet been released.

 

The ‘We Made You’ rapper announced yesterday he has completed a new album, entitled ‘Recovery’, which he will release instead of proposed LP ‘Relapse 2′.

Eminem had originally stated he would follow-up last year’s ‘Relapse’ album with a sequel recorded at the same time but told how, as time passed, the idea made “less and less sense” to him.

He said: “I had originally planned for ‘Relapse 2′ to come out last year. But as I kept recording and working with new producers, the idea of a sequel to ‘Relapse’ started to make less and less sense to me, and I wanted to make a completely new album. The music on ‘Recovery’ came out very different from ‘Relapse’, and I think it deserves its own title.”

Eminem, 37, has worked on tracks for the album with producers Just Blaze, DJ Khalil, Jim Jonsin and Boi-1da and after ‘Relapse’s dark subject matter – dealing with the hip-hop star’s personal battle with drug addiction and how he nearly died from an overdose – it is expected ‘Recovery’ will have a more positive slant.

The ‘Stan’ hitmaker gave no indication as to whether any material from

‘Relapse 2′ – which includes tracks he made with legendary producer Dr. Dre – will be included on the new album.

‘Recovery’, Eminem’s seventh studio LP, will be released on June 22.

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